
A masterful novelist of crime and the human heart, Mr. Westlake also penned the scripts for many screenplays, including
The Grifters, Le Couperet (based on
The Ax), and
Point Blank. The Ax is my favorite of his novels.
Here's part of the obituary from the
L.A. Times (link above).
I suspect that the current recessionary roller coaster will attract readers to "The Ax," Westlake's 1997 tome of how one man decides to solve his perpetual post-layoff joblessness by eliminating the competition -- literally. Burke Devore is angry, frustrated and more than a little horrified at what he will do and later justify, and through him Westlake portrays the palpable paranoia in the wake of the pink slip:
"As the computer takes our jobs, most people don't seem to realize why it's happening. Why was I fired, they want to know, when the company's in the black and doing better than ever? And the answer is, we were fired because the computer made us unnecessary and made mergers possible and our absence makes the company even stronger, and the dividends even larger, the return on investment even more generous."Westlake wasn't trying to be prescient here or in his other work: His natural ability to observe human behavior and to follow an idea, no matter how bizarre, through to its proper, rightful finish echoed the vision of an architect, the array of moves available only to a chess grandmaster. That he could accomplish all this beneath the veneer of elegant mischief and make it look effortless in the process is all the more astonishing.
No matter what, Donald E. Westlake echoed the advice he once dispensed to the publishing industry: He always paid attention. Now it's our turn to give this incomparable writer under any name his deserved due.