Tuesday, January 31, 2012
Saturday, January 28, 2012
Happy Birthday, Colette/An Elegy for the Apple-Stuffed Pig

Friday, January 27, 2012
Mozart K.488 Piano Concerto #23 in A 3rd mov. Allegro assai
Thursday, January 26, 2012
From Orange Blossom to Orange Poppies

Poppies
by Sandra McPherson
Orange is the single-hearted color. I remember
How I found them in a vein beside the railroad,
A bumble-bee fumbling for a foothold
While the poppies' petals flagged beneath his boot.
I brought three poppies home and two buds still sheathed.
I amputated them above the root. They lived on artlessly
Beside the window for a while, blazing orange, bearing me
No malice. Each four-fanned surface opened
To the light. They were bright as any orange grove.
I watched them day and night stretch open and tuck shut
With no roots to grip, like laboratory frogs' legs twitching
Or like red beheaded hens still hopping on sheer nerves.
On the third afternoon one bud tore off its green glove
And burst out brazen as Baby New Year.
Two other poppies dropped their petals, leaving four
Scribbly yellow streamers on a purple-brimmed and green
Conical cadaver like a New Year's hat.
I'd meant to celebrate with them, but they seemed
So suddenly tired, these aging ladies in crocheted
Shawl leaves. They'd once been golden as the streets
Of heaven, now they were as hollow.
They couldn't pull together for a last good-bye.
I had outlived them and had only their letters to read,
Fallen around the vase, saying they were sorry.
Monday, January 23, 2012
Sunday, January 22, 2012
John Hartford, "Gentle On My Mind"
I want to get to that place (if there is such a Cockaigne as that place) where I can think of Harvey as gentle on my mind. However, I want to remember specific details (beard a roughening coal pile, for example). How do I reconcile the giving up of grief without the giving up of memory, especially tactile memory?
Eavan Boland writes in her oft-quoted poem "The Pomegranate,"
If I defer the grief, I will diminish the gift.
Is that true? Universally true? How do you keep memory alive and lively without being overwhelmed?
Friday, January 20, 2012
Thursday, January 19, 2012
From Today's Writer's Almanac, 1/19/2012

It's the birthday of Edgar Allan Poe (1809), born Edgar Poe in Boston, Massachusetts. His parents were both actors, but his father left the family in 1810, and his mother died of tuberculosis a year later. The young Poe was raised by the Allans, a Scottish merchant family in Richmond, Virginia, who gave the boy his middle name. They sent him to the University of Virginia, where he picked up a habit of drinking and gambling from his rich classmates. He had a falling out with his foster father over this dissolute behavior, and was disowned. He spent the next several years living in poverty, depending on his aunt for a home, and supporting himself by writing anything he could, including a how-to guide for seashell collecting. Eventually he began to contribute poems and journalism pieces to magazines.
He first made his name writing some of the most brutal book reviews ever published at the time. He was called the "tomahawk man from the South." He described one poem as "an illimitable gilded swill trough," and he said, "[Most] of those who hold high places in our poetical literature are absolute nincompoops." He wrote fiction, too: mostly light, humorous tales because that's what was popular. But writing didn't pay well; he made about $4 per article and $15 per story. In 1842, his young wife, Virginia, contracted tuberculosis. His work became darker and more grotesque, and he wrote some of his best-known macabre stories and poems during the time of his wife's illness. In 1843, he published "The Tell-Tale Heart," and then published "The Raven" in 1845, and though it was an instant success, he was only paid $9 for the poem. Virginia died in 1847, and Poe died two years later, after he was found delirious in a Baltimore gutter.
Poe's cause of death was never determined, but most people have assumed it had to do with his alcoholism, or his drug addiction. But many of the assumptions people have long held about Poe can be traced back to one of his rivals, anthologist Rufus Wilmot Griswold. The two men had had an ongoing feud since 1842, when Poe was critical of Griswold's choice of poets for an anthology. Griswold, under the name "Ludwig," wrote a lengthy obituary for The New York Tribune, which began: "Edgar Allan Poe is dead. He died in Baltimore the day before yesterday. The announcement will startle many, but few will be grieved by it." Somehow, Griswold secured the right to act as Poe's literary executor, and in a collection of Poe's work published in 1850, Griswold included a biography that he called "Memoir of the Author." He portrayed Poe as a drug addict, a drunk, and a madman, and included forged letters as "evidence." He wanted to destroy Poe's reputation and ruin his literary legacy; instead, his salacious rumors served to boost sales of the author's work.
We know now that Poe did suffer from bouts of depression, and that he had a complicated relationship with alcohol: he did some drinking followed by months or years of abstinence. But his reputation as a drunk and a madman can be traced back to the fact that he was a hard edged reviewer of other people's work, and his enemies were quick to spread demeaning stories about him.
______
The silhouette above is one of a series of authors hand cut by Harvey. Elizabeth Bishop, Alexander Pope, Emily Dickinson, and Poe are among the poets in the series.
Mark Twain's silhouette is in the Hannibal, Missouri, museum.
The Elizabeth Bishop silhouette is one of the most beautiful artworks Harvey ever created. Poe (a cousin of Harvey's great-to-the-third power grandmother, also a Poe), is a also a beautiful silhouette.Wednesday, January 18, 2012
I know I'm forgetting something...but not this

No future will have me.
Tuesday, January 17, 2012
Happy Birthday, William Stafford!
In the last storm, when hawks
blast upward and a dove is
driven into the grass, its broken wings
a delicate design, the air between
wracked thin where it stretched before,
a clear spring bent close too often
(that Earth should ever have such wings
burnt on in blind color!), this will be
good as an epitaph:
Doves did not know where to fly, and
Monday, January 16, 2012
Saturday, January 14, 2012
Emily's Garden

| 785 They have a little Odor—that to me Is metre—nay—'tis melody— And spiciest at fading—indicate— A Habit—of a Laureate— _____ Emily Dickinson grew stargazer lilies and Oriental lilies, whose perfume is strongest as the blossoms wither. She mailed the petals of a flower along with this little quatrain in a letter to a friend. I dreamed of dead monarchs slotted in the grill of a 1972 Cadillac. I dreamed of dead bees in my favorite hairbrush. I dreamed of ladybugs upturned like scarabs on the white windowsill in my kitchen. I would like to dream of Harv, and all I get are these images. |
Friday, January 13, 2012
Gravestone: What I Want to Find for You

Wednesday, January 11, 2012
A Good Day--Sort of
- Because I'm holding a copy of Best New Poets 2011, and my poem is in there.
- Because my poem still holds up as a love letter to Harvey.
- Because I went to the thrift store and found four cashmere V-necks for $1 each. Orchid, scarlet, navy, and poppy-orange.
- Because I spent 2-1/2 hours on the phone today with my friend talking about poems, her book, my maybe a book someday, and our respective Kentucky family weirdness.
- Because I cannot pay my bills till payday.
- Because payday isn't for another 2 days and my electric bill is due tomorrow.
- Because my computer passwords at school have been hacked.
- Because the guy with whom I had a date called me (just like he said he would), and said that while he would still like to go out with me, he freaked out when I told him my high school graduation class, and "I am too old for him." It was worded pretty much that bluntly. He is 62. I am 54. In what world is that "too old"? (I had already decided that I didn't want to see him again; this just made my resolve that much more adamantine). WTF WTF WTF?
Monday, January 09, 2012
Silver Anniversary

| Remember, Body ... | ||
Body, remember not only how much you were loved, not only the beds where you lay, but also those desires for you, shining clearly in eyes.... | ||
|
it almost looks as if you gave yourself to those desires as well—how they shone—remember—in the eyes that looked at you, how they trembled for you in the voice—remember, body. C. P. Cavafy |