Monday, August 20, 2012

It's a Hard Art, Living




(Another antique postcard post--Beware.  I'm going way, way back on this one)

And how I long for a place like this, in which to write, in which to think, in which to be utterly alone.  I can remember a fistful of nickels, a click of the door, and helping myself to the cornucopia inside.  Was this self-help?

I might be the only person I know who's eaten at a Horn and Hardart.  They went out of business in the early 1990s.  I sat in one with Sam, my very first lover, in our fur coats in 1979, and we planned out a relationship that would let him see other people (his idea--he was interested in men) and me never have to work for the entirety of my life (my idea--I had been working since I was 12).  I was 20 years old.  I had ironed shirts, changed sheets, folded towels, mopped floors, wheeled an old man onto the sunshine of his patio to feel the warmth of the sun on his face.

I never wanted that again--to care for someone whose life was ending.

Six years later, when Sam was dying, I did the same thing for him--swabbed his floors, changed his pajamas, made sure his sheets had the highest thread count I could afford, wheeled him into the sunlight on the terrace of his hospice room, helped him stand when he, the strongest man I ever met, couldn't stand alone.

With him the first time when I was 13 years old, when he was 17, and we perfected sex for 4 years. Technique, physique--we were each other's perfect fit.  Except for the fact that he liked boys and he didn't tell me.  And I liked him and didn't know about gay.  And his family liked me enough to give us everything two kids could possibly want--his grandmother's diamond, a house, a car--if we would marry.  They thought that gay would be licensed, put away.

With him when I was nearly 18, two weeks before we were to stand under the chuppa his family insisted we have, before we were to sleep under the canopy of the honeymoon suite of the Palmer in Chicago, before we were to lie under the stripes of a beach umbrella in Montego Bay during our honeymoon, with him when he said, "I think we should see other guys."  With him when he explained to me exactly what that entailed.  With him when I told him I never wanted to see him again and threw his grandmother's ring at him and left.

Without him when I realized those were the bravest words that could be said in 1975.  (They're still the bravest words I know).  Without him when I figured out that I can't was better than I do.

Without him for a year and a half.  Meeting RFH, kissing a truly straight boy for the first time and seeing something different in the kiss, something toe curling, but finding something missing in the sex--true love, first love, laughter, that moving from awkward to awestruck.

With him again at age 20, when he said, "Let's try again.  When we're together, we're together."  The other part of me.  Terrific sex and crazy conversation, spontaneous trips to New York and the Russian Tea Room and CBGBs, treks to Montreal and Mount St. Helens, the cross-coast move to San Francisco.  A year and a half of peripatetic.

With him when I told him I could never have sex with him again, that sharing was too hard. With him when he told me, It would be you, if it could be you.  With him in my head and heart, if not in my bed.  

With him when he met his boyfriend.  With him when his boyfriend left him.  With him when his last lover came into his life, and when his last lover slipped out of his hospital room, never returning.

With him when the first purple spot of Kaposi's showed up, the center of Queen Anne's Lace on his lovely skin (a word I later learned from a poet as maculate).  With him when the first curls fell out, like so many pencil shavings.  Shaving his head when his vanity couldn't stand thinning.  

With him through the vomit and the blood, through mouth blisters and meningitis.

With him as I had never promised, for better, for worse.  We weren't married, we hadn't had sex since 1980, but we were wedded, we were welded by friendship.

With him.  He wasn't alone.  He didn't die alone.

Without him.  I was.  Alone.

He left me.  He left me with a garnet necklace, diamond earrings, an idea of what was and wasn't love.  It was passion, though.  It was terrific sex, till I couldn't take the sharing any more, which saved my life.  Back then, who knew about HIV, who knew when he fucked his neighbor from Africa?  Who knew about HIV, when he went out as the prettiest boy and came home the loveliest, the loneliest?

I was so lucky.  Negative.  The year before the virus hit the States, our sex had become safe.

Without him, when he was with his first true love, when I met my first legal husband.  I left technique behind and went for trouble:  the most macho, motorcycle-riding badass painter I could find.  

That was lust.  And we paid for it.  The only good things I had in that marriage were my son and a trip to California when Sam was dying. For that I'll always love my first husband a tiny bit; he gave me that time.

That wasn't love.  That was generosity.

But Sam?  Sam was love.  He was Horn and Hard Art.  This living, this dying.

I swore to myself after Sam that I would die first, that no one else would ever die on me.

And I met Harvey, my great great love, who was seven years younger than me. Statistically we should have died within 11 days of each other.

Harvey died; I died a little more.  And Sam died for me a little bit more, too.  That's not the way the story was supposed to end.

I'm not, you see, a stranger to loss.

I lost my beloved grandmother, my garnet ring, my St. Christopher's medal.

I lost my true love, Harvey.  I lost my best friend since my first love, Sam.

For a while, when I had Harvey, each of us lost ourselves: I in him, he in me, each in the other, in the quotidian of day-to-day.  He lost himself in his work.  I lost myself in reading, in the raising of children--no one else's fault, a choice I made.  We kept the love, though, and when he went back to sculpting, I went back to writing,   It made us happier, it made us better, and it made us even more inseparable in a new way, to share our art as well as our days, our nights, our children.

And these days, when I have found myself able somehow not only to be a widow--but to be a writer, a mother, a teacher, a student, and even a partner, a lover--I want to go back, to the future I am supposed to have.  I want to see Sam one more time, to introduce him to Harvey (who'll still be alive), to show Sam my poems and my peonies and my children and my Jacob's coat roses, my Bakelite bracelets and my blingiest rhinestone brooches.

I want to show him my newly renovated body, the one I've walked so hard to retrieve.  I want to walk for miles with him, talking nonstop.  I want to brush his hair, to have him brush mine.  I want to hear him say Pamela, you're still my best friend.

Harv was the greatest person;  Sam was the greatest prototype.  

I still think of Harvey every day, but no longer every hour.  I don't think of Sam every week, every month, every season.  But today, I think of him, my first love, my first grownup friend, the guy who taught me how to kiss in a devastating, take-no-prisoners style that sent my latest lover reeling, who taught me about Art Deco and Art Carney, about Blondie and Baudelaire.

So many things I'd like to do again with Harvey; I remember them every day.

There's really only one thing I'd like to do with Sam, and I'm thinking of it today. That postcard, that ephemera, brought it back, that ephemeral first love.

I want to have a cup of coffee with him at the Horn and Hardart.  I want to scatter Sweet-N-Lo packets like wedding confetti on the table, and have him throw them at me.  I want to fit a nickel into the sweet shell of his ear.  I want to laugh and look at him and lean back in one of those those curved-wood coffee-shop chairs, the ones with the evocative backs, the ones with the name I called Sam.

Sweetheart.

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Saturday, August 18, 2012

Update

I'm going to take a nap and then get all beautiful and probably do something I should regret but won't ever regret.

Fling.  It's not just for Spring Dance Rhymes any more.

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Thursday, August 16, 2012

Happy birthday to Raleigh Elizabeth.  Fifteen years ago, you stole all our hearts, and you've continued to be a heartbreaker all these years.  You're beautiful, sweet, smart, capable and confident.  Everything good about your daddy is in your DNA.

Thanks for being my daughter.  I love you.

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Tuesday, July 24, 2012

Rob Brezney...You are right again.

CANCER (June 21-July 22): If you narrow your focus now, the world will
really open up for you in the second half of October and November. To
the degree that you impose limitations on your desire to forever flow in all
directions, you will free up creative ideas that are currently buried. So
summon up some tough-minded discipline, please. Refuse to let your
moodiness play havoc with your productivity. Dip into your reserve supply
of high-octane ambition so you will always have a sixth sense about
exactly what's important and what's not.  


_____


What I want most of all: 
1.  A full time job teaching.  No high school, no adjunct/substitute work.  
2.  The book of elegies for Harvey to find a home, which should help me achieve #1.  


I am tired of always subsuming my wants and needs to those of others.  Is part of being a mother always giving in?   


I will be productive.  I will know what's important.  I will seize love, every chance I get. 



Monday, July 23, 2012

Dactylion


Dactylion:  Anatomy, a landmark at the tip of the third finger.

Dactyl:  Metrics, A rhythmic foot with three beats, stress rest rest.  (As in PAM uh luh).

The third finger, the long finger, the bird (pterodactyl?) finger.
______

Gentle Readers (all you strong women and what few gentlemen there are left in the world), this isn't for you.  This dactylion is for one particularly stubborn, one particularly determined pest.

Dear Jerk,

I am tired of being stalked via the internet, by mail, and by phone.  I am no Queen, Princess, Beauty, or  Fiancee (that last one the most outlandish of all).

I am a middle-aged English teacher and editor. Stop romanticizing me.  I might be smart, I might be attractive, I might be kind to animals both large and small, but I don't want a relationship with you.

How plainly can I say this?  Respect my decision.  NO means NO.

It doesn't mean maybe.  It doesn't mean yes but coy about it.

It means NO.  NO.  NO.  NEVER.  

If you don't leave me the heck alone, look up jettatura.  And get ready for it.

Pamela

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Sunday, July 22, 2012

Enantiodromia



The way up and the way down are one and the same, Heraticlus writes.

And we step and do not step into the same river, also Heraticlus.

A particle's a wave; a wave, a particle--quantum physics.  

Before we're XY, we're all XX, genetics.

Chiasmus (Pamela) wife to widow.  

The same river, over and over.  

Over and over.

Over.

O.

Enantiodromia:  The changing of one thing into its opposite.

Before I was one thing, wife and lover; and now, I am that other thing, widow, loner.

Daphne with her thighs in bark; Arachne scuttling over her web; Persephone with her six seeds. 

I understand rootedness, I understand weaving, and oh I understand desire.

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Saturday, July 21, 2012

Hamartia



Hamartia:  The fatal flaw.  The obsession that leads to oblivion.  

For me it used to be love.  Now it's writing or nothing.  I believe in the nada of Hemingway's "A Clean, Well Lighted Place."  I want to believe there's something, but so far, nada.  It is the shards of the mirror, the mote in the eye from The Snow Queen. 

It's this life with ice at the heart.

My life is in these eras: Before Harvey, During Harvey, and now Aftermath.

2 minus 1 equals nada.  

I want to write the most beautiful poems, but I am so tired of the elegiac mode.  (My newest poem draft rhymes elegy with felony). I wrote a poem, "Unslaked," that shows I'm looking for the right word, for the right timing, for someone, for something, for anything, but for a change I wish something would find me.  

I'm tired of chasing after words.  I want to lay this new pen, the one that fits my  hand so perfectly, but grows so heavy by hour's end, down.  And every day there are two hours out of the 17 I am awake, where I sit here.  And I think of something I want to say.  And I write, and I carve it down, and usually it's so much whittling, not sculpting.  

I want to pare.  I want to pair up words and music into that lyric, the one Tsvetaeva calls too much. 

Is too much too much to ask?  Hamartia.

I am asking for it.  I want it.  Desire.  

I am asking for you, too.  Hamartia.

Where are you, new book?  Where are you, new publisher?  Where are you, new reader?  

I'm right here, thinking I might be worth more than nada.  

Which is hamartia.   


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Friday, July 20, 2012

Scripturient



Scripturient

The violent desire to write.

The desire to write.

Desire to write.

Desire to.

Desire.

Sappho, "Six Fragments for Atthis":  I prayed one word, Desire.


I prayed for DZ to be gone, and he is.  


I prayed for desire to come back, and it did. 


Thank you.  Help me.  


BE CAREFUL FOR WHAT YOU ASK.  YOU MIGHT RECEIVE.  



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Thursday, July 19, 2012

She is very sad, oh, she is very sad

I made it through the two-year anniversary of Harvey's death, the four-month anniversary of knowing Dez, and am now back in bed with myself.  The sheets have a high thread count, the quilt is perfectly threadbare, and no one minds that I grab the covers and twist up in them like they were phyllo dough.

In other news, work sucks.

Being the mother of a teenager is equal parts being stuck and unstuck.

Poetry doesn't suck, and neither does the oracle:

One, born with a caul, will move from luck to love. 



I was born with a caul, and even though I know it's coming, I forget to duck.

I am grateful for my hands.

I am grateful for my eyes.

I am grateful for the skin I'm in.

I am grateful for my children.

I am grateful for Walt Whitman.

I am pretty much sick of everything else but my pets and friends.

When will the aforesaid move occur?  Fat lot of good that caul's doing me now.

My dream job of all dream jobs is available, right now, at Vanderbilt University Hospital.  It's the dream I wanted before I started teaching.  Now I cannot take it, because I can't afford to move, but I'm still thinking about accepting their offer of an interview.

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Monday, July 16, 2012

"You Were Always on My Mind"



I did take the time, on Saturday, on Sunday, and I am back to my regularly scheduled programming.  Thank y'all for bearing with me when I take my annual two days of misery.

At the top of the hour, I bought a new dress, new underwear, new perfume.  I have a reading to attend and want to look good, feel better, and smell best of all.

In other news, I have four new poems drafted:  "Unslaked," "Pamela Once Meant Comb of Sweetness," "An Attempt at Epistolary," and "Envoi or Go Little Book or My Body Becomes the Text."(That final last poem is an erotic exploration of crossword puzzles.  What was I thinking?  You'll have to wait for the sex issue to find out).  I worked on two of these for months, and the other two are gifts from the poetry muse.

In the breaking-bad, best news of all, the Pretty One is gone, gone, gone.  No harassment for two weeks, and that's cause for a Shrek-sized Hallelujah.

Thank you to our sponsors Holly and Brandon of Sewanee/Greensboro, MFA friends Chet, Will and Heather, and to Sally and Sheila, my girlfriends from 1985 and 1973, who talked some sense into me.

And in sports, Molina hits his 15th.

Back to you, Chet and David.



Friday, July 13, 2012

Los Straitjackets - You Send Me



Dear Harvey,

Honest, you do, honest you do, honest you do.  

I looked for an instrumental because I don't have words.  Two years today, and it's like it never happened, because I still love you so very much, and it's also like it's happening all over again, because I miss you so very much.

To paraphrase our favorite movie, I gave you my heart, and you gave me a pen.

I'm doing my best to write with it.

I don't have the words, so I'll borrow some from Sappho's "Six Fragments for Atthis."

Beyond all hope, I prayed those timeless
Days we spent might be made twice as long.
I prayed one word: I want.
Someone, I tell you, will remember us,
Even in another time. 

When I translate Sappho, one word becomes desire.

Love always,

Pamela